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While the audience can see through this "wall", the convention assumes, the actors act as if they cannot.

From the 16th century onwards, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept.

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In Stanislavski's production of The Cherry Orchard (Moscow Art Theatre, 1904), a three-dimensional box set gives the illusion of a real room.

The metaphor suggests a relationship to the mise-en-scène behind a proscenium arch.

When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a box set, the "fourth" of them would run along the line (technically called the "proscenium") dividing the room from the auditorium.

Crown prosecutor Craig Krieger urged that Tremblay be sentenced to five years incarceration, while defence lawyer Dan Chivers is calling for a four-year prison sentence. Tremblay flew to Dublin on two occasions and each time travelled to south Kerry.

'The Kerryman' newspaper reported that concerns were raised in 2013 by local residents when the pair were spotted at a rental accommodation.

The father of one met the girl online in 2013 and began communicating with her through a messaging app, the Court of Queen's Bench in Edmonton heard.

After flattering the girl, who was 13 at the time, he began to have sexual conversations with her and sent naked pictures of himself, encouraging her to reciprocate, according to the 'Edmonton Journal'.

The "fourth wall", though, is a theatrical convention, rather than of set design.

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The actors act as if unaware of the audience, separated by an invisible "fourth wall", defined by the Proscenium arch.

The Proscenium arch of the theatre in the Auditorium Building, Chicago.